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Gibson Acoustic Releases Three Limited Edition John Lennon Models

icontexto-webdev-social-bookmark-09facebook481Seventy years after his birth and three decades after his untimely passing, John Lennon’s message of peace continues to touch the masses, and his songs still resonate in the hearts and minds of fans around the world. At the request of Yoko Ono, Gibson Acoustic is very proud to offer three 70th Anniversary John Lennon J-160E acoustic guitars to celebrate the legacy of this extraordinary artist. Accordingly, only a very limited number of these handmade acoustics will ever be available.

Born on October 9th 1940, John Lennon still remains one of the most significant voices in the music of our times. In 1962, John Lennon was still an up-and-coming artist, and though one of two main singer/songwriters at the heart of The Beatles, was scraping by on the little money the band was bringing in at that time. For his first quality American acoustic/electric guitar, Lennon had his sights set on a new Gibson J-160E – the problem was, he didn’t have the money to buy it. With the aid of a co-signed purchase from Beatles manager Brian Epstein (who also co-signed for band mate George Harrison’s J-160E), Lennon made the guitar his own, and put it straight to the business of making rock and roll history.

Recreated by the luthiers at Gibson’s Montana acoustic guitar facility in period-perfect detail, the 70th Anniversary John Lennon models are available in three distinct versions to represent the instrument at three periods in Lennon’s life and career.

Each version is an accurate rendition of the J-160E of 1962, a guitar originally released in 1954 as one of the world’s first successful “electro-acoustic” guitars, with built-in pickup and electronics and ready to hit the stage for the professional performing musician. Beloved by Lennon, and kept close throughout his too-short life, the 70th Anniversary John Lennon J-160E is a guitar every Beatles fan will want to make their own.

70th Anniversary John Lennon J-160VS

The first, finished in Vintage Sunburst and limited to 500 guitars, represents the guitar as it was when Lennon first acquired it and used it on several famous Beatles recordings from 1963 to ’64, including Please Please Me, With The Beatles, and A Hard Day’s Night. Additional specs of the 70th Anniversary John Lennon J-160VS include a 70th Anniversary John Lennon MOP signature on the headstock, 1960s laminated Sitka Spruce top, mahogany back and sides, the classic vintage sunburst lacquer finish, Jumbo 1960s frets, Gibson authentic P-90 pickups, a historic adjustable bridge, and a 70th Anniversary mother-of-pearl engraved 12th fret birthdate of John Lennon. MSRP is $4728.

70th Anniversary John Lennon Imagine Model

The second is a stunning Custom Shop “Imagine” model in a Soft White finish personally requested by Yoko Ono to reflect the sentiment of John’s life and music during the recording of Imagine.

The white Gibson Acoustic “Imagine” model includes an anniversary John Lennon Abalone headstock signature, 70th Anniversary MOP engraved 12th fret birthdate of Lennon, 1960s laminated Sitka Spruce top, historic Gibson ladder bracing pattern, mahogany back and sides, Jumbo 1960s frets, historic adjustable bridge, Gibson authentic P-90 pickups and a custom hardshell case. MSRP on the Imagine model is $10,748.

70th Anniversary John Lennon Museum J-160E Model

The third is the model as it is today, on display at the Rock and Roll Hall of Fame in Cleveland, with a thin, natural finish and Lennon’s famous “John and Yoko” caricature sketches, representing the appearance of the guitar during the famous Lennon-Ono “Bed-In” peace protests of 1969.

The guitar specs of the Gibson Acoustic Lennon Museum J-160E model includes a Gibson Custom Shop label personally signed by Yoko Ono, authentic recreation of John Lennon’s Bed?In Caricature Sketch, 70th Anniversary John Lennon mother-of-pearl headstock signature, 70th Anniversary mother-of-pearl engraved 12th fret birth date of John Lennon, label personally signed by Yoko Ono, 1960s laminated Sitka spruce top, historic Gibson ladder bracing pattern, mahogany back & sides, custom thin lacquer finish, Jumbo 1960s frets, historic adjustable bridge, Gibson authentic P?90 pickup and a Gibson Custom Shop hardshell case. MSRP on the Museum model is $15,048.

The custom shop’s second and third renditions are limited to 70 guitars each, one for every year since John’s birth in 1940, and both include a special 70th Anniversary Certificate personally signed by Yoko Ono and sent to the final purchaser by Certified Mail.

Yoko One herself has been quoted as saying , “Remember, each one of us has the power to change the world. Just start thinking peace and the message will spread quicker than you think.” The Gibson Lennon acoustic models celebrate the peace that has lived on for years through John Lennon’s music and Yoko Ono’s staunch devotion to his memory and legacy.

“To say how proud I am of these new John Lennon Anniversary guitars is a huge understatement. The legacy that John Lennon has given music fans around the world is unprecedented and the friendship Gibson continues with Yoko Ono is demonstrated in these remarkable instruments that are in tribute to arguably one of the world’s greatest musicians,” said Henry Juszkiewicz Chairman and CEO of Gibson Guitar.

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John Lennon’s Hofner Senator sells for £205,250!


icontexto-webdev-social-bookmark-09facebook481A 1958 Hofner Senator guitar owned by John Lennon sold for £205,250 at Christies London auction yesterday.

Guitars owned by John Lennon very rarely appear on the market and George Harrison’s verification of this guitars’ provenance in his letter to Lily Evans is invaluable.

Harrison’s own keen interest in guitars meant that he had a clear recollection of the models he and his fellow Beatles owned and used over the years. In the course of Christie’s research, Lennon’s friend and colleague Pete Shotton told us that although he himself didn’t remember who played what guitar [Shotton himself was not a guitarist but played the washboard in the Quarry Men] George had an extremely good memory for detail and would not put his name to a statement unless it was correct.

John Lennon Hofner Senator guitarThere has been some written speculation in the past that this Hofner Senator may be the very one that former Quarry Man Ken Brown owned, however this seems unfeasible when the provenance of this guitar is analysed.

In the course of their research Christies spoke to Ken Brown himself about this rumour and he stated that he did not believe this to be the same guitar as the Hofner Sentator he owned. Also when it is considered that fellow Beatle George Harrison recalls Lennon owning one of these models, and that this guitar’s history shows that John gave his Hofner Senator and a white Vox guitar to trusted friend and road manager Mal Evans.

Evans did not appear on the Beatle scene until 1963 long after Ken Brown’s six-week interlude with the Quarry Men in 1959, and as far as we know their paths never crossed. All these factors appear to refute the Ken Brown association with this particular guitar entirely.

In the late ’50s and early ’60s American electric guitars were not readily available in the UK and if they could be found were very expensive, as a result budding guitarists had to rely on German-made and European electric guitars. Although Lennon came to be identified with the Rickenbacker 325 from late 1960-1961 onwards, what he himself described as his first ‘real guitar’ was a Hofner.

As soon as John Lennon and George Harrison began to earn some money by playing at the Casbah club in Liverpool with the Quarry Men, they both purchased Hofner Club 40 electric guitars, John’s first Hofner, and George’s second, his first being a Hofner President. John’s guitar was acquired via hire-purchase from Hessy’s Music Shop on August 28th, 1959 and he recalled in an interview that when ..George and I saw a Hofner Club 40 we thought it was the end. All the Quarry Men’s performances in 1959 at the Casbah Coffee club were without a drummer – if they were asked about this absence, they would respond: “The rhythm’s in the guitars”. The line-up of guitars at this time was John and George with their two Hofner Club 40s; Ken Brown with his Hofner Senator [for the 6 weeks he was with the Quarry Men] and Paul McCartney with his Zenith.

Hofners are closely associated with all the early Beatles, although in November 1959 George Harrison had moved on from his Hofner Club 40 to a Futurama, the closest thing he could get to a Fender Stratocaster. In January 1960 when Stuart Sutcliffe joined the group as bass player he purchased a large electric Hofner 333 bass guitar with money he had received from selling one of his canvases at the Walker Art Gallery in Liverpool. With the addition of Sutcliffe the group’s name changed from the Quarry Men to The Beatles [as a tribute to Buddy Holly’s Crickets although initially spelt Beatals]. Photographs of the group during their landmark first tour of Hamburg show Lennon playing his Hofner Club 40. It was this gruelling tour which provided the group with the foundation for their success, as Mark Lewisohn wrote: Five hundred hours on stage in Hamburg…forged the style that would conquer the world. It seems highly probable that Lennon may have purchased this Hofner Senator whilst earning money in Germany either in 1960 or the following year. It was there in Hamburg in 1961 that Paul McCartney acquired what was to become his signature instrument, his first Hofner 500/1 violin bass.

The lack of photographic evidence of Lennon with this Hofner Senator suggests that he probably kept this guitar at home for writing purposes. It is significant that John Lennon had this guitar during those formative years in the early sixties, and that it was with him right at the beginning of his phenomenal career, when he was writing such early classics as: Please Please Me – The Beatles first No 1; Do You Want to Know A Secret, There’s A Place, I Feel Fine, Help!and Ticket To Ride to name but a few. Putting speculation aside for a moment, it is certainly true that John Lennon guitars with provenance are exceptionally rare and to see one from Lennon’s early career supported by documentation from fellow Beatle George Harrison is scarce indeed.

Serial No.4697, Senator model, natural finish, 22 fret fingerboard with five triple dot inlays, back of the neck applied with a square paper sticker the blue background with cream lettering spelling LOVE; Compensator tailpiece, bound f-holes, plastic facia with a Hofner logo, simulated tortoiseshell pickguard; and contour case containing a few pieces including a contemporary set of Martin Bronze strings, and a simulated tortoiseshell guitar pick; accompanied by: a facsimile copy of a typescript letter from George Harrison to Mal Evans’ widow Lily on October 26th, 1982 on Harrisongs Ltd. headed stationery, regarding this guitar which states that this: Hofner is one of the first guitars of John’s going back to the early days in Liverpool (1960-ish)… ; and a photograph of Lennon playing a Hofner Club 40 at the Top Ten Club, Hamburg, 1960 —8x10in.(20x26c.) (printed later).

Two Hofner Violin basses, both signed by Paul McCartney, were also sold in the same auction; a 1960’s one sold for £8750 and a 1970’s model for £10, 625.